Jurassic Park is
a classic film and was ahead of its time with the use of special effects. Jurassic Park is a
spectacle of special effects and life-like animatronics, with some of director
Steven Spielberg's best sequences of sustained awe and sheer terror since Jaws. This film has
everything dinosaurs, chase scenes, and large storms. Twenty years later Jurassic Park is the
quintessential special-effects movie. You
would think, with all that time gone by to refine the technology, that Jurassic Park would look hideously outdated, or at
best charmingly quaint. Jurassic
Park is as impressive now as it was back in 1993. In 1993 moviegoers were promised amazing dinosaurs, and if they didn’t get them, the
whole edifice of Jurassic Park collapsed.
So the filmmakers had to invest as much time, energy, and money as it
took to get it exactly right, because they knew they would be under the spotlight.
Jurassic Park’s special effects contain elements
of ethos, pathos, and logos. The special
effects of this film look very real and this gives the film ethos or
credibility. The special effects invoke
emotion or pathos like the scene when the children are trying to hide from the
dinosaurs in the kitchen. Logos or logically
if the viewer enjoyed Spielberg’s pervious films with special effects like E.T.
or Jaws they would appreciate Jurassic Park. This film’s special effects rival those of
films made ten or even twenty years later.
We live in a time when almost every movie uses
computer animation or involves the use of a green screen. In some cases the full movie is actors and
actresses acting in front of a green screen and nothing is real. “In the past, whole scenes often had to be
reshot because of technical glitches. For example, if a modern building or auto
appeared in a period of film, the scene had to be recut or even rephotographed.
Today, such details can be removed digitally” (Special Effects 1). During the time of Jurassic Park this
technology was brand new. The filmmakers mainly relied on animatronics, some CGI, and used as many real elements in the
film as possible. “If William
Shakespeare were alive today, he would be enthralled by the ability of
computer-generated imagery (CGI) to create fantastic, brave new worlds, where
the magical is commonplace. This digital technology, perfected in the 1990s,
revolutionized special effects” (Special Effects 1). Most of the major special effect scenes were
filmed in low lighting scenarios so the viewer could not see the flaws in the
CGI.
The dinosaurs in Jurassic Park look scary and very real; this keeps you on the edge of your seat throughout the movie. The goal of the special effects artist was to help the viewer forget that they are watching a movie and convince them that dinosaurs do exist. Jurassic Park has broken accepted rules of special effects photography by expanding upon traditional methods of character animation.
I have watched
this movie many times and it provides hours of entertainment. Jurassic Park is a prime example of what
special effects are supposed to be like.
Special effects are not supposed to be noticeable, they are supposed to
make components of the film more real. So
much time, energy, and money went into this film and it is apparent in the
film. This is one of Spielberg’s best
special effects films. Jurassic Park
does contain all three elements of ethos, pathos, and logos. I rate the special
effects of Jurassic Park five out of five slurpees.
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