“Django Unchained” is an action driven, blood filled movie
about the a slave turned bounty hunter, Django, on his search to find and kill
the infamous Speck brothers in return for his freedom. Not only is “Django Unchained” and action
filled movie that keeps the audience drawn in, but also the soundtrack finds a
way through its Western sounds and beats to continue to keep the viewer’s head
at a constant head bob, shaping a mood that the viewers can feel as if they are
in the past Wild West.
The movie opens with the song “Django” by Ricky Roberts and
Luis Baralov, which consists of a Western beat that includes the use of both
tambourines and strung instruments. The
lyrics are constantly singing the title of the movie and the main character, “Django”. As the scene opens, a line of slaves are
walking through the wilderness, almost walking to the beat of the music. The logic behind this music is to set the
tone of the movie beginning right from the opening scene. This song has a rugged sound to it, which creates
ethos with the viewer because the slaves are walking through the rugged
wilderness, having the music match the ruggedness of the slave’s journey.
Another major song in the movie is the song “Freedom” by
Anthony Hamilton and Elayna Boynton.
This again has a Western feel to the song and opens with Django asking a
girl who is working on the plantation if she recognizes the two men in the
distance, to reassure him that the men are indeed the Speck brothers. As soon as Django spots one of the brothers,
the scene turns to a flashback of him and his wife trying to escape from a
plantation and being caught by the Speck brothers with the singer of the song
singing the words “freedom”. The lyrics
”facing the truth that I discovered” is talking about how Django and his wife
are now facing the truth that they will never escape from their
plantation. The music and scene use
pathos to draw on the viewer’s emotions as they watch Django’s wife whipped
by the Speck brothers as Django is begging them, while on his knees, to whip him
instead. The song creates a feeling of
sadness, making the viewer feel as if they are in Django’s position being so
close to freedom, yet not being able to get away.
Finally, my favorite song from the movie, “100 Black
Coffins” by Rick Ross, draws on the viewer’s logos as the viewer’s ear is drawn
to the famous commanding voice and beat of Rick Ross. The soundtrack begins with whistling and
chains clinging together which fits perfectly with the scene as the slaves are
following Django and the other men as they make their way to the plantation
owner’s “Big House” while being chained together. The songs lyrics “I need 100 black coffins
for 100 bad men” combined with a loud commanding beat is foreshadowing an event
that is coming up in the movie that involves Django going on a killing frenzy
in order to gain not only his own freedom, but also his wife’s freedom too. “Loud sounds tend to be forceful, intense, and
threating”, which is exactly what the scene is trying to exhibit to the
audience (Sound, 208). “Music can be
used as foreshadowing, especially when the dramatic context doesn’t permit a
director to prepare an audience for an event" (Sound, 214). The song is preparing the audience for the massacre
that Django is about to put on in the scenes coming up. This song sets the mood for the viewer and the
fast taps of a snare drum draw on the intensity of the scene.
Overall, I believe the soundtrack to the movie “Django” did
a very good job keeping the viewers drawn in and creating an intense Western
feel to the film. As a result, I give
the “Django” soundtrack five Slurpees for its use in the film.
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