Think about the type of music you would play as you say your final farewell to your family, potentially for good. Or how about when you step foot in an arena of 23 other kids, one in which you know only one will remain standing. Or better yet, how about when you hold a young girl in your arms as she takes her last breath. This is what the film score composers of The Hunger Games faced. The Hunger Games is a film about Katniss Everdeen, a young girl who voluntarily replaces her sister as the representative for her district in the Hunger Games: a last-man-standing brawl against representatives from the other eleven districts. The soundtrack in this film captures an array of emotions from sorrow and suspense to joyfulness and victory.
Film score composer, James Newton Howard, used a touching
lullaby “The Meadow Song” to draw in viewers to the sorrow and pain that
Katniss felt as she comforted her sister Primrose from a nightmare of the
reaping day and as she stroked through the hair of young Rue as she searched
for her remaining breaths. “The quiet
sound strikes us as delicate, hesitant, and weak” (Giannetti, Sound Effects). Katniss sings to Primrose in a soft, gentle
voice to provide relief to her vision of being chosen as the District 12
representative. In this scene, there are
no other sounds than the voices of the characters; this draws the attention of
viewers to the fear that both characters are feeling as the reaping day draws
closer. Later in the film, this same lullaby is sung to Rue; however, similar
in sound, the song is accompanied by a different series of emotions. Music is
often used to express the internal emotions for characters, and for Rue, this
song does exactly that (Giannetti, Music).
Katniss clearly expresses here despair as she sings the song, but Rue
conveys her fearful emotions through both the lullaby and her eyes. Unlike previously sung in the film, the
chorus is accompanied by soft, slow background music that builds the grief
during the scene.
Loud sounds
create a forceful, intense scene, while a faster tempo increases the suspense (Giannetti,
Sound Effects). When Katniss and Peeta enter the opening ceremony of the games in their flaming clothing atop a chariot the music is powerful and builds suspense as the District 12
representatives link hands. The music
then becomes louder and the beating of drums takes affect, which creates an
intense scene for viewers. The music is
complemented by loud clapping and cheers from the crowd of people. The music in this scene reminded me of the
opening ceremonies of the Olympics: each country is represented, the crowd is
excited, but the athletes are conflicted with nerves and excitement.
During the game,
the music is intense, fearful, and creates uneasiness for viewers. In many of
the scenes the soundtrack is used to underline the dialogue (Giannetti, Music). Because Katniss is often on her own, music is
used to avoid creating silence in the film.
It makes the viewer fear for her, building the suspense, as you never
know when another character might pop out to take her life. The soundtrack
“Booby Trap” does a great job creating a thrilling, fervent scene as Katniss
travels through the unknown woods. The
pounding sounds make the viewer fear what might be waiting for her around the
corner or behind the next tree. Like in many drama adventures, the music played
throughout the film is without vocals, and accelerates as the scene becomes
more suspenseful. For instance, when she is looking for Peeta after finding out
that there can be two winners, the song is loud and the drum and violin are
clearly heard. However, when she finds
Peeta, the music slows down and becomes calmer.
The music in this
movie creates a suspenseful, violent, and nervous mood; it left you on the edge
of your seat, fearful of what might happen in the next scene. As I watched the
movie, I began to feel uneasy and frantic, as I feared for Katniss’ life. The
composer for this film, James Newton Howard, added credibility to the soundtrack. Because of the 144 other films that he
composed for, some of which include The
Dark Night, I Am Legend, and The
Bourne Legacy, he can be trusted to create a soundtrack that is suitable to
the scenes and attractive to the viewers. Along with developing ethos for the
film, he created a soundtrack that strongly appealed to the emotions of the
viewers. When Katniss felt worried, I felt worried. When Katniss feared for her
life, I feared for her life too. The music that played throughout the course of
the movie drags you along an emotional roller coaster: a roller coaster that goes
up with victory and joy, down with worry and fear, and loops around with
suspense. The tunes on the soundtrack
created a reaction from the viewer; they made you feel what Katniss or Peeta were feeling in the moment. The beating
of the drums or strings of the violin, the fluctuations between soft and loud,
and the variations between fast paced and slow paced music all added to the
pathos of the film. Each song was
logically placed to accent the emotions during the scene. Soft, gentle music
was played when the characters were feeling sorrow and grief, while loud,
powerful music was played for suspenseful and fearful scenes. I think that the
length of the songs also added to the logos of the film because they were just
long enough to emphasize and never became the dominant effect. Most importantly, the placement of the array
of sounds added the most logic to the soundtrack. The producers of the film covered silent scenes
with background music and they often associated the most sorrowful,
suspenseful, and victorious scenes with music.
Overall, I
thought that the film score influenced the variety of the scenes in
a positive manner. I think that the composer created a balance of sounds that
imitated the emotions of each character.
Because of the credibility of James Newton Howard, because of the
convincing appeal to emotions, and because of the compelling timing of each
track, I would give this soundtrack a five-pickle rating.
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